Matt Damon Odysseus Tom Holland Telemachus Anne Hathaway Penelope Robert Pattinson Antinous Himesh Patel Eurylochus Charlize Theron Calypso John Leguizamo Eumaeus Travis Scott Bard / Songs Corey Hawkins Polybus Jarreth J. Merz Leodes Niko Nicotera Peisander Elliot Page Sinon Shiloh Fernandez First Trojan Rafi Gavron Second Trojan Elyes Gabel Elatus Iddo Goldberg Amphimedon Jamie Harris Agelus John Ales Beggar in Ithaca Raimy Lang Teenage Antinous Mason Cufari Teenage Sinon marcus 16小时前 Incredible Rick Lewis 1天前 It could have stuck to the storyline a little more... 1 SNlPERMIKE 2026年7月19日 Jason Bourne has been lost at sea for years. His wife, Catwoman, is desolate and is being coveted by Batman. Bourne's son, Spider-Man, went to look for his father with the help of the Punisher. 33 413 HaHaHarvey44 2026年7月24日 Christopher Nolan decides the greatest adventure story ever written needs a sensitivity read, a diversity quota, and a three-hour runtime to lecture you about how violence is bad, actually. The casting is an act of cultural vandalism. Lupita Nyong’o as Helen of Troy – the woman whose face launched a thousand ships and who Homer explicitly describes as fair-skinned – is the kind of decision that only makes sense if your primary audience is awards voters and lunatic left activists. Elliot Page as Sinon is pure ideological cosplay: a biological woman playing a Greek warrior in a story that has zero need for modern gender politics. The rest of the ensemble is the usual Hollywood mix of American and British faces with almost no actual Greek or Mediterranean blood in sight. Complete lack of self-awareness. Visually, the film is grey, overcast and honestly not very interesting. The armor looks like it was designed by someone who saw a museum exhibit once. The ships, the helmets, the entire aesthetic feel Northern European and miserable instead of sun-bleached and Mediterranean. Nolan shot the most famous voyage in literature like it was taking place in a depressed corner of Scotland. The one exception is the Cyclops sequence, which actually looks like something out of a myth. Everything else is muted, dreary, and aggressively un-epic. The dialogue is a special kind of tone-deaf. Characters drop modern phrasing and flat American/British accents into a supposedly fantastical epic like they’re ordering coffee. "Mom.", “Dad.” “Ten years on this fucking beach. Let’s go home!” It’s linguistic heresy. Combined with Nolan’s usual sound-mixing – dialogue buried under score, explosions that still somehow feel quiet – it becomes exhausting to sit through. Pacing is glacial. Odysseus himself has been sanded down into something softer and more reflective than the cunning, ruthless survivor of the poem. Nolan appears to have drawn more inspiration from Emily Wilson’s 2017 feminist translation of the poem, the one that reframes Odysseus as a cOmPliCaTeD mAn and softens the epic’s classical edges, than from Homer himself. Robert Pattinson is the only actor who brings any real presence – he at least looks like he belongs in this world and isn’t just collecting a paycheck while the culture war rages around him. The Cyclops is the only set piece that delivers any genuine awe. Everything else is self-serious, overlong, and poisoned by the desperate need to be relevant (meet the DEI quota to qualify for an Oscar) in 2026 instead of timeless. Two stars, and that’s being generous. One for Pattinson, one for the Cyclops. The rest is a $250 million reminder that even Christopher Nolan can be brought low by the same DEI/ThE mEsSaGe rot. Add it to the list of the forgettable woke dross of the last 10 years. 12 90 Tariq Nimer 2026年7月17日 To try to enjoy this movie , you have to forget every memory you have about Troy , they used a bunch of famous actors , well known legends and myths and three hours of our time to produce this load of crap . Hated it . 16 65 15witteb 2026年7月8日 Helen of Troy is not from Barbados. 3 70 Scott Enman 2026年7月25日 Critical Drinker was right again, what a boring mess this movie is... 12 Patrick D. 3天前 was so excited for this movie. It was probably the most hyped I've been for a film in a long time. I had very high hopes for it. I read the Fagles translation in the run up to the release and I absolutely loved it. I couldn't put it down. I love Christopher Nolan's filmography (except Tenet. That movie sucked big time.), and I'm probably a lot harsher on his stuff than every other movie I watch. That being said, The Odyssey has its merits... but bottom line, I was really disappointed with it. I was just indifferent to it by the end. The best way to describe it is "unauthentic" or "not immersive". I could go into all these technical critiques and analyze how faithful it was to the source material and whatnot, but ultimately it just didn't immerse me in the Ancient Greek Mythology whatsoever. The moments when it did pull me in, something or someone inevitably snapped me out of it. Some of that had to do with the the actors' performances, but it mostly had to do with the writing and casting... and I know the casting topic has been beaten to death, but you'd be an idiot if you said having 1,200 B.C. Greece looking like 2026 LA doesn't subtract from the authenticity of a film about the Homeric poem about the Trojan War. At one point in the film Nolan has Himesh Patel say "We're the Greeks" to the Greek guy who was the one literally speaking to him in Greek. I mean, come on. That's laughably corny. And you know, whatever. That one thing alone doesn't ruin the entire film, but there's countless instances of this which ultimately prevented me from ever getting fully pulled into the story without chuckling about some stupid self-inflicted blunder every 10 minutes. As for the actors, Matt Damon and Tom Holland were just awful in this. The hallmark of a good actor is pulling you in, immersing you in another world and let you suspend your disbelieve and make you feel as if you're actually watching that character. I wanted to feel like I was actually watching Odysseus and Telemachus... and look, I am by no means saying they're bad actors, but I just felt like I was watching Tom Holland and Matt Damon on screen the entire time. This issue was exponentially compounded by the modern dialogue and dog shit script writing. Phrases like "let's go", "Dad", and "Fuck off" in a modern sounding American accent is objectively not immersive for the source material. "Our age of bronze is collapsing" is a line in this movie. No joke. Christopher Nolan actually read this line and thought it was a good line to put in Odysseus's climactic monologue. This stuff is unacceptable. Nolan gets a lot of shit for his writing in The Dark Knight Rises and rightfully so. This film was MUCH more egregious. It's not Tenet level bad, but it's certainly in the lower half of his filmography. The thing that bugs me about all this is I can look past subversive creative decisions, questionable artistic choices, and other undesired tradeoffs, but you have to immerse me in your world when it's all said and done. Otherwise it isn't an 'undesired tradeoff', it's a failure to execute, plain and simple. This movie is probably a 4/5 max if I'm being as objective as possible, but I give it a 3/5 relative to Nolan's other films. I honestly doubt I'll ever watch it again. 4 cultfilmliker 2026年7月29日 Wait….the guy from the Simpsons wrote this!? If only colonialism could have been scared away as fast and easily as these guys Wore my “NO MORE WAR” shirt to the screening. Thought it’d be ironic but it does kinda fit as well Those sirens had my man busting the hardest nut in his life at first Loved the film. Never read the book ¯\_(ツ)_/¯ don’t @ me Will be doing research tho. I expect a rewatch would receive 5 stars. Loved seeing Logan Marshall Green! Watched in IMAX at Warren Regal West with Mos, Rich, Shirls, and Luke Currently Ranked #11/127 in 2026 Ranked _______________ Watch #2 Okay Chris we get it you don’t believe in cancel culture “Did something happen?” Lady, that is putting it MILDLY “How you like dem cheese sacks?” - Good Odysseus Hunting How did the cyclops make the cheese tho??? Odysseus and his “Columbus sailing west” ass I love how many strategies get thrown out the window immediately lmao The giants scene and score FEELS like a Rob Zombie film hahaha Morvern Callar is wonderful in this How did BENNY SAFDIE end up playing the most powerful man in the world Everyone’s said it multiple times but R. Patt is so good in this Anne Hathaway could have saved so much time by just letting Tom Holland be king smh Odysseus would be terrible at the trolley problem Still don’t get why it took people so long to bend the knee Watched in IMAX at Warren Regal West with Moore Currently Ranked #4/128 in 2026 Ranked 5 Lancer Marino 2026年7月24日 Not as big an extravaganza as I was expecting Overall a B-, hey it’s an ‘old script’ and been shopped EVERYWHERE, 70 Mil or not.. the SiSu Franchise has much more bang for the buck…. Sadly lacking in coherence or any true sense of Heroic Male Bonding as in most retelling of the story, got the feeling he and his assorted crew were just Hessian’s hired for the job as opposed to any higher calling to the fidelity of Agamemnon’s Legacy or Monarchy!! 1 6 nanassugars 3天前 Disappointing 5 Ty Leet 2026年7月23日 Do NOT sit front row if prone to seizures 5 Mark Goldschmidt 3天前 aside from Telemachus, I think the casting was terrible. It also did not follow the original story of the Odyssey, changing the end. A lot of sword dueling, but little explanation of Calypso, even less explanation of why Circe freed his men, and you never even saw the sirens (who it seems sang a painful haunting song rather than a seductive one). the death of his dog immediately upon Odysseus' return was pointless and puzzling and again, not in keeping with Homers version. Glad Nolan thought he could rewrite the most famous literary story in for the past few millennia, but he was wrong. MrTrivet 2026年8月3日 This is a complete cinematic experience; the kind that reminds us why we love movies. A magnificent epic spectacle that builds a bridge between an ancient tale and a modern audience, proving that stories from thousands of years ago can still speak to who we are today. What impressed me the most is how faithful it remains to the spirit of the original - not only to the events themselves, but above all to the world of ancient customs, beliefs, and principles. It is a story about how traditions shape our humanity, build character, and define the line between honor and downfall. The characters are constantly confronted with the conflict between the laws of gods and men, the duty of hospitality, respect for life, and the consequences of abandoning the values that have defined their identity for centuries. The greatest strength of this story is its timelessness. Although it draws from one of the oldest works of our civilization, it speaks about emotions and dilemmas that remain relevant to this day - loss, responsibility, loyalty, and the search for one’s place in the world. 1 3 darsan 2026年7月16日 this is a must-see in imax.the GOAT 🐐🐐 made history with this film.the score, the performance,the visuals are PEAKK CINEMA 🔥🔥. im truly grateful to have experienced this in imax and as a sir christopher nolan fan, I CAN'T WAITT to see more of his filmography grow as he continues making them,cementing his legacy. 7

Los Angeles Times Sergio Burstein What you really need to do is keep your eyes wide open while enjoying a titanic film that may not be perfect but will keep you glued to your seat and eager to talk about it on the way out. [Full review in Spanish] DwightBrownInk.com Dwight Brown Audiences who start this sojourn will finish it. Like Odysseus, they won't stop. Decent Films Steven D. Greydanus Like the filmmaker's last work, 'Oppenheimer,' 'The Odyssey' has a downbeat, apocalyptic bent-but, unlike 'Oppenheimer,' or any previous Nolan film, the new film is also centrally about what human beings owe one another. Baltimore Magazine Max Weiss Still, it's Nolan's party and he can do what he wants with it. He's succeeded in many ways-bringing a classic epic poem to life, modernizing it, but certainly not in a thoughtless way, and utilizing the full range of his prodigious cinematic toolkit. Filmspotting Adam Kempenaar Perhaps only The Odyssey could offer Nolan the canvas epic enough for all his obsessions. The Odyssey (Trailer 3) The Odyssey (Trailer 3) 预告片 The Odyssey (US Trailer 1) The Odyssey (US Trailer 1) 预告片 The Odyssey (US Trailer 2) The Odyssey (US Trailer 2) 预告片 A Look Inside A Look Inside 幕后花絮 Fantastic Voyage Fantastic Voyage 幕后花絮 Completely In IMAX Completely In IMAX 幕后花絮 Anne Hathaway On IMAX Anne Hathaway On IMAX 幕后花絮 Lupita Nyong'o On 70MM Lupita Nyong'o On 70MM 幕后花絮 Matt Damon On IMAX 70MM Matt Damon On IMAX 70MM 幕后花絮 Zendaya On Dolby Cinema Zendaya On Dolby Cinema 幕后花絮 In Rehearsal Tom Holland In Rehearsal Tom Holland 幕后花絮 Robert Pattinson On 35MM Robert Pattinson On 35MM 幕后花絮 On The Set Of The Odyssey On The Set Of The Odyssey 幕后花絮 In Studio: Ludwig Goransson In Studio: Ludwig Goransson 幕后花絮 Tom Holland On Premium Large Formats Tom Holland On Premium Large Formats 幕后花絮 奥德赛于2026年7月15日发布。 奥德赛由Christopher Nolan执导。 奥德赛的时长为2小时 53分钟。 奥德赛由Christopher Nolan, Emma Thomas制作。 改编自同名荷马史诗，讲述奥德修斯的故事，以及他在特洛伊战争后10年的回家之旅。 奥德赛中的关键角色有Odysseus（Matt Damon）, Telemachus（Tom Holland）, Penelope（Anne Hathaway）。 奥德赛是一部Action, Adventure, 奇幻电影。 奥德赛的观众评分为9.7（满分10分）。 奥德赛的预算曾是US$2.5亿。 奥德赛的票房收入为US$12.91亿。 Adrenaline & Sci-Fi Daytime TV & Games Food, Home & Culture The World Poker Tour TNA Wrestling Channel